Over the last 30 years, Maidan Nezalezhnosti in Kyiv has been a place of the constant political redefinition of space. A place, where ideological and physical control and commercialisation have been colliding and coexisting with each other alongside attempts to ‘bring public dimension’ from below.

Modern secularised society that has witnessed the world ‘being gradually uncharmed’ primarily perceives sacral architecture through its direct function ― realisation of the right to religious freedom, or as an example of historical and cultural heritage of a certain period. Such somewhat perfunctory and careless approach to the sacred was typical for historic landmark restoration in the Soviet Union, where the victory over religion was so obvious and final that there was no need to look beyond aesthetics in sacral architecture. That’s why modern replicas were in more demand than careful conservation and demonstration of findings. The Golden Gate of Kyiv with the remarkably grotesque church at the top of the construction is indicative of such approach.

The Stalin age in Ukraine is a difficult, traumatic and controversial time. It also makes the perception of the cultural heritage of that era, architecture in particular, difficult. The post-totalitarian trauma of the Ukrainian society prevents the comprehension and perception of those difficult and painful pages of history. The collective memory is at the denial stage, at the stage of oblivion. But unless the past is understood, we cannot overcome its consequences. The comprehension of the heritage of the past is a necessary stage for further development.

Ukrainian architectural modern is one of the most unusual phenomena in the history of Ukrainian architecture. Simply put, it is seen as a purely ethnic style that used "folk motifs." But this is the wrong way. The architecture of this period became part of the global nation-building process. There is a key difference that distinguishes Ukrainian architectural modern from many other styles. It was not forced by the state but arose as a result of base horizontal construction of a new national identity. To be able to implement this idea, the local Ukrainian elite needed, firstly, resources, secondly, professional training, and thirdly, the ideological base. Therefore, architectural modern can be called the child of three major great ideas of its time: modernism, nationalism and social democracy.

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Goodbye, old Dnipro! That year, in the spring, you will wake up as already young Dnipro! Dnipro of electricity of the future, wide and free, like this stormy sea. Geo Shkurupii, Dmytro Buzko

From the construction of the first Belle Époque tube in London to the present day, the subway is like no other transport infrastructure associated with scientific and technological progress and still serves as a sign of a high level of "civilization". The architects of the end of the "long 19th century", as well as the "short 20th century" did not imagine the city of the future without the subway. This type of public transport is still perceived by urban residents as an unconditional benefit, occupying an important place in the identity and evoking a sense of pride and affection.

The Renaissance literature begins with The Decameron by Giovanni Boccaccio – the story about ten young men and ladies from prosperous families go to a country estate escaping from the plague & entertain each other by sharing the stories. The Decameron is not just about the plague, however, it’s also about a new age, since its characters are brave enough to criticize the Church, the foundation stone of the medieval community. It’s not about escaping from the epidemic, but also it’s an escape from the society of that period, that was finding itself in a crisis.

After the Second World War, the attitude towards Jews in the USSR changed dramatically as compared to the interwar period. Until then, the Jewish people had been regarded as a “loyal” minority without a conceivable homeland outside the USSR. (Although as far back as the mid-1930s they were unofficially squeezed out of the administration higher-ups, with an opportunity left for them to pursue careers in the fields of science and culture). However, after the proclamation of the State of Israel in 1948, the Communist party leadership and security services began regarding Soviet Jews, who were cultural professionals, worked at universities or medical institutions, as being a threat. In the territories that had undergone Nazi occupation during the war, this attitude was further intensified by the consequences of three years-long exerting ideological influence of outright anti-Semitic propaganda upon the local population.

Natalia Borysivna Chmutina (1912–2005) — an outstanding Ukrainian architect, honoured academician of the Ukrainian Academy of Architecture, People’s architect of Ukraine, PhD in architecture, professor.

Every one of us, both boys and girls, after having finished school need to make a tough choice of our future trade. We do not always choose it on our own though. Our family and the society assert all along that this occupation “doesn’t befit women/men”, “you won’t make much money with it”, “this is not a prestige profession”. Even if you managed to get what you had craved for and entered your dream architectural college, the challenges do not end there.